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Artworking; June-July 2022

Rosie, artworker July 25, 2022

I dropped off the face of the Instagram world and its fine. Its happened spontaneously in that its occurred by itself, a loss of momentum that I observed and let play and then fell with. Admittedly I did get Covid which laid me flat for a few weeks, but this feeling predated that. There’s been such good work going in the studio and I’ve kept it to myself. Feeling intensely private about it. I mean its finished now but I cant let it go, I don’t know how to yet

Venus and The Ghost Who Walks

Figuring it out was tricky, to it kept as low relief as I could but have enough room for stuff

This piece will be wall mounted,; its important to me that it be easily displayed and not dependant on a plinth or horizontal surface. I want it lodged to a wall, with just enough relief to punch it out, to take up some room in an intriguing way

All the houses I’ve lived in across the world

Paris telephone token

Graveyard garden. When visiting the in-laws in Germany, we were taken to visit the family’s cemetery as a matter of course, to see how it grew.

Learning written Pisin (“pidgin”) in Port Moresby via our idol, Phantom. The Ghost Who Walks.

PTT. Paris telephone token

There’s an ancient church in St Jean de Luz, a fishing port in the south of France, which looks like a tall box of stone but inside its a baroque extravaganza. Just my kind of thing, but the element I recall, that has stayed in my frontal cortex is the large model of a ship, hung from the ceiling above the congregation. Facing the wild Atlantic ocean, I imagine its a talisman against the safe return of sailors but also brings the Bible story of Jonah & The Whale to mind. Imagine the woman who gave birth to the world and the weight of that load; every home is a womb, the inside of the whale and the hope for calm seas ahead

The Three Wise Monkeys; see no evil, hear no evil, speak no evil. And the one who cried.

Old Japanese cotton pearl, becoming hard to source

No evil

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Tags 2022, venus
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Past projects

Featured
SUNT LACRIMAE RERUM
Dec 11, 2020
SUNT LACRIMAE RERUM
Dec 11, 2020
Dec 11, 2020
TOFFEE : mobile sculptures
Dec 5, 2020
TOFFEE : mobile sculptures
Dec 5, 2020
Dec 5, 2020
Current work October 2020
Oct 19, 2020
Current work October 2020
Oct 19, 2020
Oct 19, 2020
The Mersis Dress by Pattern Fantastique
Oct 11, 2020
The Mersis Dress by Pattern Fantastique
Oct 11, 2020
Oct 11, 2020
Artworking; September 2020
Oct 6, 2020
Artworking; September 2020
Oct 6, 2020
Oct 6, 2020
Puppy at Gallery Sally Dan Cuthbert
Aug 9, 2020
Puppy at Gallery Sally Dan Cuthbert
Aug 9, 2020
Aug 9, 2020
Couture masks
Jul 21, 2020
Couture masks
Jul 21, 2020
Jul 21, 2020
 

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I respectfully acknowledge the Guringay people, the traditional custodians of the land that is now called Ku-ring-gai, and pay my respects to elders past, present, and those to come. I extend my respect to elders and members of the Darug nation, and to all Indigenous people who may be reading these words

Fellow travellers, thank you for visiting

© rosie@artworkerprojects.com