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Artworking; Jan-March 2026 and one painting

Rosie, artworker March 4, 2026

Again, I trace the making of artworks hoping to find out why

Thinking of the way light refracts through branches and makes kind-of trapezoid shapes between them. Its a very deep, almost buried detail but I feel it does come through. Layers and layers and depths

I love these shapes

I bought this shirt in Rome and wear it weekly

These pines are something else, the shapes seem prehistoric, so blunt and primal

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View fullsize Rosie_Perl_Sicelle14.jpg

Present day

Present day, I have to clean up the background and finish the painting.

This is what I do: get it to a point where I think its pretty good, then push it over to ruin, then see if I can bring it back.

I dug pretty hard into the dried paint on this, which took the surface back to raw wood in places. Its gonna be a drag fixing that due to the mica pigment present in the background paint, which is very difficult to touch-up successfully. Super annoying.

But I have to break it or it won’t have spirit

Rosie_Perl_Sicelle25.jpg
Rosie_Perl_Sicelle26.jpg
Italy-tools1.jpg
Italy-tools2.jpg

Ancient Roman tools for decorating terracotta

Rosie_Perl_Sicelle10.jpg
Rosie_Perl_Sicelle9.jpg

Looking at the above images, there’s a scrap of tissue on top right which is where I grab the board to swing it down horizontal where I can work on it. Its a big board I had made specially in a heavier Birch ply, to support the application of ornaments.

I have some bronze nails to hammer them home but I’m getting a lot of feedback to not apply them at all. I’m a little stuck. God has not communicated how I am to proceed so I wait and time stretches on, which in this way becomes an actual material component in the work. Time.

Very spikey when you cut them

I do like working on things horizontally, like sculpture. I am compelled in a way I do not understand to break the 2D into 3.

Italy9.jpg
Italy10.jpg
Paintbrush4.jpg
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Replaced an old, very niche specialist paintbrush - which has been trimmed down a few too many times - from Melbourne Etching Supplies and, got two. Which explains me completely

Paprika shrub at Continental Deli, which has become somewhat favoritised

In addition to painting this and other surfaces, I undertook a range of activities in various locations over the last three months. I have felt ambivalent and non-compliant regarding posting because I just wanted to do the work and be entertained by the range and locations, but tracking the artmaking process here the reason for this website, because its important to me and itself part of the process; it takes time to make. I’ll post later on some recreation. Amazing.

Continental Deli Newtown

Panna cotta every time at the above mentioned. They crystallise flowers for decoration but you can eat them

See you next time

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Past projects

Featured
SUNT LACRIMAE RERUM
Dec 11, 2020
SUNT LACRIMAE RERUM
Dec 11, 2020
Dec 11, 2020
TOFFEE : mobile sculptures
Dec 5, 2020
TOFFEE : mobile sculptures
Dec 5, 2020
Dec 5, 2020
Current work October 2020
Oct 19, 2020
Current work October 2020
Oct 19, 2020
Oct 19, 2020
The Mersis Dress by Pattern Fantastique
Oct 11, 2020
The Mersis Dress by Pattern Fantastique
Oct 11, 2020
Oct 11, 2020
Artworking; September 2020
Oct 6, 2020
Artworking; September 2020
Oct 6, 2020
Oct 6, 2020
Puppy at Gallery Sally Dan Cuthbert
Aug 9, 2020
Puppy at Gallery Sally Dan Cuthbert
Aug 9, 2020
Aug 9, 2020
Couture masks
Jul 21, 2020
Couture masks
Jul 21, 2020
Jul 21, 2020
 

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I respectfully acknowledge the Guringay people, the traditional custodians of the land that is now called Ku-ring-gai, and pay my respects to elders past, present, and those to come. I extend my respect to elders and members of the Darug nation, and to all Indigenous people who may be reading these words

Fellow travellers, thank you for visiting

© rosie@artworkerprojects.com